{"id":1009,"date":"2015-11-30T17:36:15","date_gmt":"2015-11-30T17:36:15","guid":{"rendered":"https:\/\/ukrainianjewishencounter.org\/en\/parallels-in-ukrainian-and-jewish-approaches-to-creating-national-styles-in-art-in-the-first-third-of-the-twentieth-century-2\/"},"modified":"2017-08-18T19:25:10","modified_gmt":"2017-08-18T19:25:10","slug":"parallels-in-ukrainian-and-jewish-approaches-to-creating-national-styles-in-art-in-the-first-third-of-the-twentieth-century","status":"publish","type":"post","link":"https:\/\/ukrainianjewishencounter.org\/en\/parallels-in-ukrainian-and-jewish-approaches-to-creating-national-styles-in-art-in-the-first-third-of-the-twentieth-century\/","title":{"rendered":"Parallels in Ukrainian and Jewish Approaches to Creating \u201cNational Styles\u201d in Art in the First Third of the Twentieth Century"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n<p>Europe in the late nineteenth and early twentieth centuries witnessed the creation of \u201cnational styles\u201d in art, which built on the contemporary penchant for historicism, even while searching for a new art style and responding to a certain social demand by peoples who were in the process of active nation building. Jewish and Ukrainian \u201cnational styles\u201d in art took shape under similar socio-historical conditions, around the same time, and in the same geographic places. An important motivation they shared was resistance to suppression of their culture and heritage by empires and dominant nations. Both believed that a national style should be founded on form rather than on themes, and that form should be based on national heritage\u2014in particular folk art\u2014while reflecting contemporary sensibilities. Artistic \"schools\" emerged for both the Ukrainian and Jewish \"national styles\" (known as Boichukism and the Kultur-Lige respectively). There was a degree of collegiality and interaction between the Ukrainian and Jewish artists who were at the forefront of developing the respective \"national styles\" and one can observe similarities in their works, as is evident in the illustrations featured below.<\/p>\n<p>For more information, <a href=\"https:\/\/ukrainianjewishencounter.org\/media\/Susak-article_Eng.pdf\">click here.<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>ILLUSTRATIONS:<\/strong><\/p>\n<figure id=\"attachment_4225\" aria-describedby=\"caption-attachment-4225\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4225\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/1-2_Ukrainian-Muse_Abraham_Isaac-500x263.png\" alt=\"1 &amp; 2_Ukrainian Muse_Abraham_Isaac\" width=\"800\" height=\"420\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/1-2_Ukrainian-Muse_Abraham_Isaac-500x263.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/1-2_Ukrainian-Muse_Abraham_Isaac.png 1000w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4225\" class=\"wp-caption-text\">Fig 1. (left) I. Buriachok, cover for the poetry anthology The Ukrainian Muse, 1908; Fig. 2 (right) E. Lilien, Abraham and Isaac, illustration to the Bible, reproduced in the catalogue of the personal exhibition by E. Lilien in Lviv in 1914<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2846\" aria-describedby=\"caption-attachment-2846\" style=\"width: 400px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2846\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/3-Boychuk_Ukrainka-1-386x500.jpg\" alt=\"3-Boychuk_Ukrainka.jpg\" width=\"400\" height=\"518\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/3-Boychuk_Ukrainka-1-386x500.jpg 386w, https:\/\/ukrainianjewishencounter.org\/media\/3-Boychuk_Ukrainka-1.jpg 547w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><figcaption id=\"caption-attachment-2846\" class=\"wp-caption-text\">Fig 3. M. Boichuk, Ukrainian Girl. Early 1910s. Tempera on cardboard. Lviv Art Gallery, Yaroslava Muzyka Fund.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2847\" aria-describedby=\"caption-attachment-2847\" style=\"width: 426px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2847 size-medium\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/4-Boychuk_Jaroslavna-1-426x500.jpg\" alt=\"4-Boychuk_Jaroslavna.jpg\" width=\"426\" height=\"500\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/4-Boychuk_Jaroslavna-1-426x500.jpg 426w, https:\/\/ukrainianjewishencounter.org\/media\/4-Boychuk_Jaroslavna-1.jpg 604w\" sizes=\"auto, (max-width: 426px) 100vw, 426px\" \/><figcaption id=\"caption-attachment-2847\" class=\"wp-caption-text\">Fig 4. M. Boichuk, Yaroslavna (Daughter of Prince Yaroslav the Wise). Early 1910s. Tempera on cardboard. Lviv Art Gallery, Yaroslava Muzyka Fund.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2848\" aria-describedby=\"caption-attachment-2848\" style=\"width: 386px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2848\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/5-Aronson-1-386x500.jpg\" alt=\"5-Aronson.JPG\" width=\"386\" height=\"500\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/5-Aronson-1-386x500.jpg 386w, https:\/\/ukrainianjewishencounter.org\/media\/5-Aronson-1.jpg 547w\" sizes=\"auto, (max-width: 386px) 100vw, 386px\" \/><figcaption id=\"caption-attachment-2848\" class=\"wp-caption-text\">Fig 5. B. Aronson, Illustration to the poem \u201cThe Plucked Flower\u201d by Z. Shneur. Xylograph, 1920 (reproduced in the book B. Aronson, Sovremennaia evreiskaia grafika. (Berlin: Petropolis, 1924), 19.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4230\" aria-describedby=\"caption-attachment-4230\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4230\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/6_7_Barvinok-cover_Mischievious-Boy-500x301.png\" alt=\"6_7_Barvinok cover_Mischievious Boy\" width=\"800\" height=\"482\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/6_7_Barvinok-cover_Mischievious-Boy-500x301.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/6_7_Barvinok-cover_Mischievious-Boy.png 871w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4230\" class=\"wp-caption-text\">Fig 6. (left) T. Boichuk, I. Padalka, cover of the collection of children\u2019s stories Barvinok, 1919; Fig 7. (right) El Lissitzky, book cover for The Mischievous Boy by M. Leib, 1919.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4231\" aria-describedby=\"caption-attachment-4231\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4231\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/8_9_Zori-cover_Ridne-500x318.png\" alt=\"8_9_Zori cover_Ridne\" width=\"800\" height=\"508\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/8_9_Zori-cover_Ridne-500x318.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/8_9_Zori-cover_Ridne.png 826w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4231\" class=\"wp-caption-text\">Fig 8. (left) H. Narbut, cover of the journal Zori (Stars), 1919; Fig 9 (right) I. Rybak, cover of the volume Ridne, (Our Own) 1920.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4232\" aria-describedby=\"caption-attachment-4232\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4232\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/10_11_Chaikov_Narout-500x303.png\" alt=\"10_11_Chaikov_Narout\" width=\"800\" height=\"485\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/10_11_Chaikov_Narout-500x303.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/10_11_Chaikov_Narout.png 866w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4232\" class=\"wp-caption-text\">Fig 10. (left) J. Chaikov, cover of the catalogue of the Jewish Exhibition in Kyiv, 1920; Fig 11. (right) H. Narbut, the titular page to the book Hallelujah by V. Narbut, 1919, ink, National Art Museum in Kyiv.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4233\" aria-describedby=\"caption-attachment-4233\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4233\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/12_13_Solntse-truda-cover_Molodniak-500x306.png\" alt=\"12_13_Solntse truda cover_Molodniak\" width=\"800\" height=\"490\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/12_13_Solntse-truda-cover_Molodniak-500x306.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/12_13_Solntse-truda-cover_Molodniak.png 858w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4233\" class=\"wp-caption-text\">Fig 12. (left) H. Narbut, cover of the journal Solntse truda (The Sun of Labor) 1919, ink, National Art Museum in Kyiv; Fig 13. (right) N. Shifrin, cover of the journal Molodniak (Youth), 1923, ink, The Russian State Archive of Literature and Arts in Moscow.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_4235\" aria-describedby=\"caption-attachment-4235\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4235\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/14_15_Adventures_Torah-sheild-500x319.png\" alt=\"14_15_Adventures_Torah sheild\" width=\"800\" height=\"510\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/14_15_Adventures_Torah-sheild-500x319.png 500w, https:\/\/ukrainianjewishencounter.org\/media\/14_15_Adventures_Torah-sheild.png 824w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-4235\" class=\"wp-caption-text\">Fig 14. (left) M. Boichuk, book cover for The Adventures of Tartarin from Tarascon by Alfonse Daudet (Lviv, 1913), Lviv Art Gallery, Yaroslava Muzyka Fund. Fig 15. (right) Torah-shield, Western Ukraine, second half of the nineteenth century. Lviv Museum of History of Religion.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_2859\" aria-describedby=\"caption-attachment-2859\" style=\"width: 408px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2859 size-medium\" src=\"https:\/\/ukrainianjewishencounter.org\/media\/16-Shekhtman-1-408x500.jpg\" alt=\"16-Shekhtman.jpg\" width=\"408\" height=\"500\" srcset=\"https:\/\/ukrainianjewishencounter.org\/media\/16-Shekhtman-1-408x500.jpg 408w, https:\/\/ukrainianjewishencounter.org\/media\/16-Shekhtman-1.jpg 578w\" sizes=\"auto, (max-width: 408px) 100vw, 408px\" \/><figcaption id=\"caption-attachment-2859\" class=\"wp-caption-text\">16. M. Shekhtman, Victims of a Pogrom, 1927, National Art Museum in Kyiv.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><strong>by Vita Susak <\/strong><\/em><\/p>\n<p><em><strong>Vita Susak is director of the department of European Art Collection at the Lviv National Art Gallery in Ukraine<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Europe in the late nineteenth and early twentieth centuries witnessed the creation of \u201cnational styles\u201d in art, which built on the contemporary penchant for historicism, even while searching for a new art style and responding...<\/p>\n","protected":false},"author":3,"featured_media":1272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8,53],"tags":[],"class_list":["post-1009","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-visual-arts","primary-category-8","primary-category-culture"],"acf":[],"_links":{"self":[{"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/posts\/1009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/comments?post=1009"}],"version-history":[{"count":17,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/posts\/1009\/revisions"}],"predecessor-version":[{"id":4243,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/posts\/1009\/revisions\/4243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/media\/1272"}],"wp:attachment":[{"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/media?parent=1009"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/categories?post=1009"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ukrainianjewishencounter.org\/en\/wp-json\/wp\/v2\/tags?post=1009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}